JamieXX 2 hours of Essential MIX - love it Love it

There is no such thing as perfect parents.

PARENTS

Parents have such incredible power 

to confirm and influence the inner life of the child. 

Identity is fashioned in the inner life. 

The child's sensibility is like a sponge. 

It absorbs everything. 

Without knowing it, 

we drink in the voices of our parents at that stage. 

We have not yet developed any kind of filter 

to sift the creative from the destructive. 

There is no such thing as perfect parents. 

Without wanting to, and often 

without knowing it, 

all parents leave some little trail of negativity for their children; 

this belongs naturally to life's ambivalence. 

There is never anything absolutely pure in the valley of tears, 

but we still love our parents in their imperfection. 

As Robert Frost says, 

"We love the things we love for what they are.” 

-- John O'Donohue;
 Eternal Echoes.

Some music for you 'Lonnie Liston Smith'

The Blob Tree Shop - all the downloads

BLOB TREE SHOP

www.blobtree.com

Pip Wilson

::MY BLOG & MY WEBSITE::

It won't make you more beautiful 

but it will please me 

if you drop your email into the subscribe box on 

www.pipwilson.com

https://www.facebook.com/home.php?ref=logo

@RealPipWilson

AND a download site for all my Blob Tree Tools for Youth/People Work::

www.blobtree.com

This is what I do now in my work::

http://www.pipwilson.com/p/about.html

Here are 'some' of my publications::

http://www.pipwilson.com/p/new-book.html

AND a GIANT Blob Tree POSTER::

http://www.speechmark.net/giant-blob-tree-poster

FACEBOOK

https://www.facebook.com/beautiful.person

TWITTER @RealPipWilson

INSTAGRAM (PIPSTAGRAM) = beautifulhumanperson

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EVERY FEELING ..............

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TWERK

Great colliding with Gunn-Randi and Oyvin at Stansted Airport yesterday.

Jobs Jobs Latest Vacancies to share

LATEST VACANCIES

YMCA Inclusive Lives Project Co-ordinator, YMCA London South West Caretaker / Maintenance Worker, YMCA DownsLink Group Project Worker, YMCA DownsLink Group Current vacancies, YMCA Somerset Coast Counsellor, YMCA Fairthorne Group Nursery Nurse, YMCA Fairthorne Group Room Leader, YMCA Fairthorne Group EYFS Lead Practitioner, YMCA Fairthorne Group Restaurant Supervisor, YMCA Thames Gateway Food Service Assistant, YMCA Thames Gateway Monitoring and Administration Officer, YMCA Doncaster

U2’s Heart-Wrenching

U2 played a moving show at the Forum in honor of longtime tour manager Dennis Sheehan, who passed away this week

After a stellar first night out of five at the Forum this week, U2 woke up to devastating news Wednesday—their tour manager of more than 30 years, Dennis Sheehan, had died in his hotel room.

Suddenly, all the commentary on the ups and downs of the band’s recent history—the mixed response to Songs of Innocence parachuting into everyone’s iTunes libraries, Bono’s bicycling injuries, The Edge’s tumble off a stage (all puns withheld)—seemed silly in comparison.

“Last night we lost a member of our family,” Bono told the crowd in Inglewood Wednesday night. “Dennis Sheehan was his name. He was U2’s tour manager for 33 years. He loved, as we all do, the city of Los Angeles, and he called the Sunset Marquis his home away from home. He came to this city as a young man in the ’70s, working for Led Zeppelin. He always thought maybe U2 could be the next Led Zeppelin, which, of course, is impossible.”

“We did try once, at his last big birthday,” Bono recalled with a smile. “We turned up at his birthday dressed as Led Zeppelin. Adam [Clayton, bassist] was quite something; he had kind of the professorial John Paul Jones look. The biggest problem was I couldn’t quite fill Robert Plant’s pants. Who can?”

After learning of Sheehan’s death, the band announced that it would continue with the residency at the Forum as planned. They nodded to their late friend throughout the show, an impressive spectacle full of nostalgia that Bono appreciatively said took quite a team to put together.

The choice of the Forum and similarly-sized arenas for this tour implies that the larger-than-life band is scaling back. That isn’t the case. They make incredible use of the smaller space, and to great effect. A long catwalk bisects the arena floor, ending in a satellite stage that triples the value of the cheap seats for a while. The whole band took to the catwalk for a thunderous version of “Sunday Bloody Sunday,” with drummer Larry Mullen, Jr. manning a solitary snare drum.

Two parallel, billboard-style video screens are suspended above the length of the catwalk and the band gets in between them, strolling nostalgically through images of Dublin in the rain or behind gigantic projections of themselves (as The Edge soloed on the catwalk, Bono’s projection “held” him in the palm of his hand like a tourist holding the Eiffel Tower). It’s a beautiful audiovisual experience that simply wouldn’t play as well in a stadium.

Their stage presence, though, is still as boisterous as it would need to be to catch the eye of the farthest spectator in a stadium. Bono may not stage dive from the balconies anymore, but U2 knows what works, and they’re not shy about executing it.

The visuals served to turn hits such as “Beautiful Day” and “Bullet the Blue Sky” into explosive moments, but it also showcased new material like “Cedarwood Road” in a compelling way, so much so that one could argue their latest album was dismissed too quickly, with more focus on the album’s unconventional delivery method than the songs on their own merit.

Whether or not that was the band’s intent, it sounded excellent. Grand gestures and speeches are par for the course at a U2 show: Bono flung water on the crowd, fell to his knees, thanked Los Angeles for being one the kindest cities to their career, and praised America for leading the fight against AIDS.

In a relatively intimate show that meandered through the past, the band’s performance was fixed on the future. Broken bones, missteps and other setbacks be damned—U2 is reasserting itself as the formidable live band we’ve known them to be for decades, the band that Dennis Sheehan wanted them to be.

“We made a live album way back when,” said Bono before the last song of the night. “It was set in Colorado at Red Rocks. 

It was called Under a Blood Red Sky. We used to end the show with ‘40.’ And whatever happened that night, nobody was singing the refrain. So we were backstage, just trying to figure out what the hell was going on and trying to make it happen. 

We just heard this lone voice, this single voice, singing ‘How long to sing this song’—a light voice, beautiful tremolo. And it was the voice of Dennis Sheehan, trying to get everyone to sing, which they did. 

So we dedicate this song; in fact, we dedicate the night; in fact, we dedicate our whole tour to the very vivid memory of Dennis Sheehan—St. Dennis of Dublin, as he’s known around here.”

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U2 played:

The Miracle (Of Joey Ramone)
Out of Control
Vertigo
I Will Follow
Iris (Hold Me Close)
Cedarwood Road
Song for Someone
Sunday Bloody Sunday
Raised by Wolves
Until the End of the World
Invisible
Even Better Than the Real Thing
Mysterious Ways
Desire
Angel of Harlem
Every Breaking Wave
Bullet the Blue Sky
Pride (In the Name of Love)
Beautiful Day
Bad
With or Without You
Encore:
City of Blinding Lights
Where the Streets Have No Name
40

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23 Stone of Beef-on-the-Bone - Saints #RugbyLeague in action

23 Stone of 

Beef-on-the-Bone

MOSE Masoe is a real fans' favourite at Saints standing at six foot four and the best part of 23 stone.

His performances in the World Cup saw defenders trailing at his wake and the opposition shuddering from his bone crunching hits.

Mose joined Sydney Roosters' junior system in 2008 before making his first grade debut in 2010 against the Gold Coast.

The powerful Kiwi then joined Penrith Panthers and played four times for Samoa in the World Cup.

By his own standards he took time to settle into life in Super League but as his fitness improved so did his performances and he was simply devastating in the playoffs.